I’m a Trans Masculine Queer Belly Dancer


I heaved my luggage – full of dance gear – into the train car. Luckily, the car wasn’t very full and I was able to find a seat. I collapsed into it, removing my gloves and shoving them into my pockets. I was cold, having stood on the train platform for longer than usual. I adjusted my scarf to protect my face – covered in stage makeup – from smudges.

“What’s up, fag?” whispered the man behind me, right in my ear.

I stiffened, not knowing what to do. But out of the corner of my eye, I could see his family – his mother and another woman I assumed was a sister – laughing hysterically into their hands, eyeing me disdainfully. I decided to ignore them.

I didn’t hear their later mutters and giggles, as I shoved earphones in and started listening to the music I was learning for an important show: The Artists Against Hate Inauguration Protest show.

There is a silver lining to this story. I’m trans masculine, which means I was assigned female at birth (AFAB), but I identify as being masculine, not a woman. In May 2016, I had top surgery to remove my breasts. I’ve been on testosterone since April 2015. Unfortunately for me, the testosterone has taken its sweet time and I’m only just now getting facial hair and the masculine musculature I’ve been waiting my whole life for.

But the fact that this guy mistook me for a gay man – a fag – was a first for me. It was a landmark night, one I will never forget, for good or ill. He was partially right. I don’t lay claim to the label of “man” yet (it’s loaded with a lot of baggage I haven’t completely worked through and might never), but I definitely am queer and masculine. He recognized that, and it frightened him enough to harass me for it. To him, I was a threat – a man in makeup.

My Inauguration Protest show piece was for people like him, that random bigot on the train.

Three weeks before the show (and about a week before the train incident), I was looking up songs to perform to. I needed new inspiration, not only for this show, but also for upcoming shows. I wanted something different, something no one had heard before. I dove into my Spotify “Might Be Cool to Dance to” playlist and found a song by an artist called Garek. I had initially thought I would use it for drag, but as I listened to more of his work I realized I could dance to it too.

I realized that here was an openly gay man singing about being gay, about being bullied and called names for being queer, and that was exactly what I was looking for. One song had a lyric that stood out to me: “Would I be a better son with a gun in my hand?”

I chose that one to be my protest song, because it hit on many issues that we are all struggling with right now: toxic masculinity, guns, and being bullied for being LGBTQ+. It spoke to me personally because I have been struggling with calling myself a man and what it means to be (queer and) masculine in a world filled with examples of how masculinity can be damaging to the world and to both men and women. Garek frankly sings about being gay and how disappointing that can be to parents wanting manly behavior out of their sons. And how damaging that is.

I made a vow then and there that I would put queer artists before all others this year. I will still dance to songs by other people, of course, but my priority will be to dance to those musicians who are openly queer.

And so when that random bigot whispered a slur in my ear, I put on the music I was learning for the Inauguration Protest show. And my thoughts just before going on stage for the protest show itself turned to that man and others like him: people who are afraid of queer men, who are threatened by a different kind of masculinity. I feel sorry for them, trapped in narrow definitions of manhood that hurt not only others (who are victims of their pain) but themselves as well.

But once I stepped out onto that stage, my thoughts were for others like me: queer men and masculine-of-center people (however they identify) who have been called names, been bullied, have sat with a gun or a knife in hand and wondered if death would be the release we had been waiting for, or questioned their value or position in life just because of who they love or what their bodies look like. You’re not alone. That dance was for us.

I didn’t worry about dancing like a man. I didn’t worry about whether I looked too feminine in all that makeup, or whether people would hate me or accept me. I danced to heal myself, and to protest and highlight the increase in bullying me and other LGBTQ+ people have received at the hands of bigots emboldened by the rhetoric of our new President. We must stand up for ourselves, we must fight back, we must show the world that it is not okay to bully, to call people slurs, to make them afraid.

I am not afraid. I will stand with you. I will make art and dance to show the world this queer male body and just how strong it is.

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About Kamrah

Kamrah is a belly dancer in Chicago, IL. They started belly dance as an exercise routine but it turned into a passion for dance that has not lessened, even after more than a decade. They have a powerful presence on the stage, and is particularly known for their amazing shimmies. Kamrah is also known as a very versatile belly dancer, and audiences have come to expect the unexpected from them. Performances can be anything from traditional Egyptian, to tribal fusion, to fantasy cosplay (costume play) pieces.

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